Two different versions of the same shot; wondering which one people will prefer. When I opened the original photograph onscreen I was struck by the resemblance to aspen bark. Besides a little extra saturation to the blue, the top version is just as the camera captured it. Later it struck me that a cropped version, rotated 90 degrees, appeared (to me) like a night landscape. There is so much to see even in a parking lot.
When I’m painting (which I don’t do often enough), I use a pie tin for mixing the acrylics. After the paint is dry in the tin I can usually peel it off in large pieces, which I then photograph. This is my favorite of the palette photographs I’ve taken. It’s what I’d like to achieve in painting, but haven’t figured out how to do.
Any title for this photograph would draw the message too sharply and narrowly. I’ll just note that religious symbolism is not reserved for artists who are religious, and religious symbolism of one faith is fair game to be used by artists of a different faith. An entire novel, “My Name Is Asher Lev” (Chaim Potok, 1972) centered largely on this theme. iPhone photograph taken at Trader Joe’s, Fort Collins, Colo.
The puddle in question had some kind of plant matter—cottonwood seeds, perhaps, or sawdust—floating in it in great eddies. The photographic result made me think of clouds, waves, nebulae. Taken on Larimer Street, River North Art District, Denver. Cropped, with some color adjustment, and montaged.
Today I dropped off a photograph for an exhibit at RedLine Contemporary Art Center in Denver (yay! finally got into a Denver show!). Afterwards I headed up Larimer Street for a bite to eat and found myself in what is now called the River North Art District (RiNo for short). It appears to be a rundown industrial warehouse district now partially converted into a trendy, edgy place full of brewpubs, coffee houses, smoke shops, and clubs, many of which host little art shows. It’s the kind of place where you may need to know by word of mouth that there’s an entertainment venue behind a particular unmarked door.
I got a burger at Denver’s recently opened Shake Shack, a chain I hadn’t heard of until the local news channels trumpeted this arriving business as if the second coming was at hand. Then I wandered a few blocks down Larimer Street to Denver Central Market, which houses various eateries and places to buy gourmet foods. In between I took photographs of some of the abundant street art in this district, mainly vibrant murals many of which take their style and inspiration from graffiti.
RiNo seems to be a rapidly changing area. To help label some of my images I consulted Google Maps, which had photos dating to June 2017 and September 2017. Already some of the murals have been reworked and many more appear to have been added. I hope someone is systematically documenting the street art in this area. It would make an interesting book.