A patch of prairie ~

These photos were taken at the Cathy Fromme Prairie Natural Area, just south of Fort Collins, Colo. This acreage, which has never been plowed, is bounded by two major roads to the east and west and by housing developments to the east and north. It’s lovely country, but the traffic noise is omnipresent. When I had walked about 15 minutes, it began thundering persistently, so I backtracked to the parking area. I didn’t get photos of the many flowers still in bloom, many of them very small and easy to overlook.

Advertisements

Winter clouds ~

January-clouds-IMG_0742

This photo puts me in mind of summer, but it actually shows a rare sunny January sky in Southern Illinois in 2013. In going through closets I found an old Canon point-and-shoot and discovered I hadn’t downloaded the images on the SD card. This was one of them. (Interestingly, in my list of tags for this blog, “Clouds” is followed by “Coffee,” which is followed by “Coincidence.” How perfect is that? If this reference is opaque to you, check out Carly Simon’s “You’re So Vain.”)

Palette 4/4/2016 ~

This is a copy of “Stormy Day,” the Isaac Levitan painting that I posted to my Facebook page recently. I applied a watercolor filter to the second palette crop. Actually, I think this palette is for another painting I’m working on that I’ll probably paint over. Whoops!

In searching for a photo of the Levitan painting, I came across many other paintings of his that I admire. See this site for a rich sampling of his work, especially “Shadows, Moonlit Night,” “Vladimirka Road,” and “Footpath in a Forest, Ferns.” The latter seems especially remarkable as a sort of Impressionism/Realism hybrid. Wow! Plaudits to I Require Art’s Facebook page for bringing to our attention the work of little-known artists such as Levitan, as well as lesser-known works by widely known artists such as van Gogh..

American Landscape series no. 4 ~

American-Landscape-series-no.-4

I love glass bricks because I find color and form intoxicating and exuberant. This is one of my earliest and most successful glass-brick photographs; it was juried into the LaGrange Biennial (Georgia), a national art exhibit, in 1998—probably the most competitive show I was ever in. I can only hope to do as well again someday. This photograph was taken at a fast-food chain restaurant in Carbondale; many people may be able to read or recognize the sign. Pentax K-1000.