
Digitized from film negative. I didn’t make any changes to this shot except some slight color correction. This will be the last of the vandalized-dumpster shots, I think.

Digitized from film negative. I didn’t make any changes to this shot except some slight color correction. This will be the last of the vandalized-dumpster shots, I think.

Burned paint flake
This closeup of a large piece of peeled-off paint looks slightly astronomical to me. I darkened and saturated the colors and added a little blur.
These are peeling-dumpster photos (see explanation in the previous post, Under the Sea) that I’ve exhibited various places or that are on my website. But upon going through my old files, I see two or three more that I’d like to work with, so I’ll be staying with this one dumpster a little longer. Four of the photos above were taken with digital point-and-shoots; one was shot on film and digitized. Is the film photo easily distinguished from the rest?


Digitally manipulated photographs, again using a watercolor filter and extreme color saturation. The original photos were of plastic film over a window; the film had developed creases (the antler-like shapes).

This was taken with a Pentax Optio S40. Over the years I bought way too many little point-and-shoot cameras because I thought I would always carry them with me. That didn’t turn out to be the case. I still have the Optio, although I haven’t used it in years and its LCD screen is about the size of a postage stamp, because it has a sharp little lens and I took some favorite photographs with it. I did nothing to this photo other than a touch of sharpening and a smidge of extra saturation.

Taken at the Southern Illinois University greenhouse in Carbondale with a Canon PowerShot S40.

I don’t know what kind of plant this is. Lots of noise in the image, but I still like it. Photo taken at the Southern Illinois University greenhouse in Carbondale. Canon PowerShot S40.

Light through leaf
Taken with a Canon PowerShot S40; cropping and slight manipulation in Photoshop.

Aqua reflections and concrete. Evansville, Ind., iHOP. Pentax K100D.

Plumage
Sometimes an unsharp photo can be turned into an interesting abstract with the help of a digital filter—in this case, a watercolor filter—tight cropping, and some color manipulation. The original photo is a small detail of the plumage of an unidentified bird at the Denver Zoo.