Slight crop, slight color intensification. I think this works better as a piece of abstract art than most of the others in my headlight/taillight series.
Fuji X10
Taillight study no. 12 ~
Cropped, color intensified.
Taillight study no. 11 ~
Cropped, with slight color intensification.
Taillight study no. 10 ~
Cropped and color-intensified. I try to keep my reflection from appearing in these headlight/taillight photos, but sometimes it’s inevitable.
Headlight study no. 6 and body parts ~
Cropped and slightly color-intensified.
Headlight study no. 5 ~
Tight crop, color intensified.
Taillight study no. 9 ~
Tight crop, slight color intensification.
Taillight study no. 7 ~
Very tight crop, color-enhanced, watercolor filter applied.
Broken headlight ~
I cropped the photo and ramped up the color slightly. No other adjustments.
Palette 4/4/2016 ~
This is a copy of “Stormy Day,” the Isaac Levitan painting that I posted to my Facebook page recently. I applied a watercolor filter to the second palette crop. Actually, I think this palette is for another painting I’m working on that I’ll probably paint over. Whoops!
In searching for a photo of the Levitan painting, I came across many other paintings of his that I admire. See this site for a rich sampling of his work, especially “Shadows, Moonlit Night,” “Vladimirka Road,” and “Footpath in a Forest, Ferns.” The latter seems especially remarkable as a sort of Impressionism/Realism hybrid. Wow! Plaudits to I Require Art’s Facebook page for bringing to our attention the work of little-known artists such as Levitan, as well as lesser-known works by widely known artists such as van Gogh..
VAPOR AND FLOW 