
At the Denver Botanic Gardens. The gardens incorporate a lot of water features, like this long trough that reflects trees and the sky.

At the Denver Botanic Gardens. The gardens incorporate a lot of water features, like this long trough that reflects trees and the sky.


Taken at the Denver Botanic Gardens. Images cropped and colors over-saturated.

Taken at the Denver Botanic Gardens. This is a very small section of the original, slightly color-intensified.

Back to abstracts. This was taken at the Denver Botanic Gardens.
Continuing with some Sunday photos from the Denver Botanic Gardens. Clockwise from top right: Some type of fruit tree, unidentified, tulip interior, unidentified, hellebore, unidentified, unidentified, tulip interior, poppy (I think) against a background of purple pansies, orchid (probably some type of phalaenopsis), fritillaria (checkered lily). If anyone can help with identification, please comment. My knowledge of flowers is pretty limited, and the signage was spotty. I didn’t saturate any of these photos; in fact, I frequently knocked the saturation down a bit.

Staircase at the Spencer Museum of Art, University of Kansas.

This photo puts me in mind of summer, but it actually shows a rare sunny January sky in Southern Illinois in 2013. In going through closets I found an old Canon point-and-shoot and discovered I hadn’t downloaded the images on the SD card. This was one of them. (Interestingly, in my list of tags for this blog, “Clouds” is followed by “Coffee,” which is followed by “Coincidence.” How perfect is that? If this reference is opaque to you, check out Carly Simon’s “You’re So Vain.”)

It was a lucky break that the young man decided to interact with the video art just as I was taking this photo from the second floor overlook. Main hall of the Spencer Museum of Art, University of Kansas.

Despite the recent elevation of Norman Rockwell’s reputation in the art world, he’s still not my cup of tea, and I still see him more as an illustrator (albeit a superb one). But there are definitely things to admire about his art. For example, in his painting “Facts of Life,” which shows a father telling his embarrassed son about the birds and the bees, he has included a sleeping cat (shown above) under the father’s chair, and kittens playing on the boy’s chair. It’s subtext par excellence: a sly way of directly depicting the very topic—sex and reproduction—that is being so earnestly discussed in the abstract. It also cleverly pairs the adults (man and cat) and the young’uns (boy and kittens): experience on one side of the painting; innocence on the other. The boy might well envy the kittens for not having to endure an explanation of what’s eventually coming (pun intended).
This work is in the collection of the University of Kansas’s Spencer Museum of Art. See the full version at https://www.wikiart.org/en/norman-rockwell/facts-of-life.