
Carnivale no. 1

Carnivale no. 2
From rust to glass. I applied a glass filter in Photoshop to the second image. Pentax Optio S40.

Carnivale no. 1

Carnivale no. 2
From rust to glass. I applied a glass filter in Photoshop to the second image. Pentax Optio S40.

This image, scanned from a negative, is a section of a manhole cover. Neenah, oh Neenah! Your manhole covers “can be found throughout the central United States and parts of Europe,” according to Wikipedia. Long may they resist rust. For those of you who live in Europe, have you seen Neenah in your city? Let me know if you find it. The name is supposedly the Winnebago Indian word for “water or running water” (Wikipedia again).

Digitized from film negative. I didn’t make any changes to this shot except some slight color correction. This will be the last of the vandalized-dumpster shots, I think.

Burned paint flake
This closeup of a large piece of peeled-off paint looks slightly astronomical to me. I darkened and saturated the colors and added a little blur.
These are peeling-dumpster photos (see explanation in the previous post, Under the Sea) that I’ve exhibited various places or that are on my website. But upon going through my old files, I see two or three more that I’d like to work with, so I’ll be staying with this one dumpster a little longer. Four of the photos above were taken with digital point-and-shoots; one was shot on film and digitized. Is the film photo easily distinguished from the rest?

In August 2004, somebody set fire to the dumpster at the apartment building at the end of our street. The paint on the dumpster peeled and turned bizarre colors. What a bonanza! I got a lot of abstract photographs out of that act of vandalism. This one wasn’t good enough for an exhibit (not sharp enough in key places), but I like the way the peeling has created the shape of a fish. To me this form usually looks as if it’s floating on top of the blue, when in fact it’s made up of the underlying metal. Once you see this, you can make the “fish” recede and then “resurface” repeatedly, until you’re dizzy or your eyes start to water. I’ll post one or two sharp dumpster photos in the coming days. This shot was taken with film, then digitized.


Digitally manipulated photographs, again using a watercolor filter and extreme color saturation. The original photos were of plastic film over a window; the film had developed creases (the antler-like shapes).

This was taken with a Pentax Optio S40. Over the years I bought way too many little point-and-shoot cameras because I thought I would always carry them with me. That didn’t turn out to be the case. I still have the Optio, although I haven’t used it in years and its LCD screen is about the size of a postage stamp, because it has a sharp little lens and I took some favorite photographs with it. I did nothing to this photo other than a touch of sharpening and a smidge of extra saturation.

Canon PowerShot S40.

Leaf with holes
That isn’t a typo, it’s a dreadful pun. This photo was taken many years ago at the St. Louis Zoo butterfly house. Canon PowerShot S40.