
Okay, I promise this is the last grain elevator photo for awhile. I like this one best.
iPhone photograph, Wilson, Kansas.

Okay, I promise this is the last grain elevator photo for awhile. I like this one best.
iPhone photograph, Wilson, Kansas.

I didn’t realize it was smirking at me until I saw the thumbnail image. Yet another iPhone photo. Mid-afternoon, Wilson, Kansas.

Fuji X-10. I should probably download some kind of photo editing app for my iPad since I’m posting these on the road. Would like to have taken those highlights down a notch.

Crown crane

Snow leopard

Dart poison frogs

Tomato frog

Waxy monkey frog
Every time I’ve driven past Salina, Kansas, on I-70, I’ve taken note of billboards for Rolling Hills Zoo. Today I finally checked it out. It was mid-afternoon and hot, so most of the animals were napping in their dens or in the grass—barely discernible lumps of fur. After walking for awhile I got too hot, so I boarded the zoo tram at the next tram stop. I was the only passenger the whole way, so at every stop I talked to the young driver. He might have been 18. He might have been 16. He said he’d volunteered at the zoo for the past three years and this was the first year he was allowed to drive the tram. At our first stop he got off and stood by the tram looking at the giraffes in their enclosure and said thoughtfully, “I think this is the best place in the world.”
It is a beautiful place: gently rolling hills (the name is true) with trees everywhere and enclosures that allow the animals privacy if they don’t want to see humans. I told the boy that I was especially interested to see the crown crane, my favorite of the crane species. He said that it used to live in the giraffe enclosure and that he enjoyed just watching the things it would do. “It has a definite personality,” he said. “I notice that more about birds than mammals, maybe because I keep birds.”
Specifically, he keeps parakeets. “In the beginning I was hoping to breed them,” he said, “but you can’t tell the sex of a parakeet until it’s about a year old and it turned out I had all females.” Since they were laying unfertilized eggs, he once gathered about a dozen and made an omelet. “It was pretty small,” he said. He made a shape with his hands about the size of a little saucer. “They tasted just the same as chicken eggs, but instead of yellow they were almost transparent on the inside.”
This was a first for me, to meet someone who’d eaten a parakeet omelet. That alone was worth the stop. I wish now that I’d asked his name. He said his favorite part of working at the zoo was educating people about conservation, and that he hoped to go into conservation as a career.
I left the tram at the Wildlife Museum that’s a part of the zoo. This place has spectacular dioramas, but I was most interested in a special exhibit of frogs and toads. A video was playing and I heard the words “Southern Illinois University researchers led by Karen Lips discovered that frogs in Central America were dying off from the chytrid fungus….” That’s not a verbatim quote, but it caught my attention. Years ago, as the editor of SIU’s research magazine, I had interviewed Karen and learned about the alarming disappearances of amphibian species around the world due to this fungus, coupled—scientists think—with environmental stressors that have made the species especially susceptible to it. Karen and her team had chanced to be in Costa Rica and Panama at the very time this die-off was happening, and documented the event.
The exhibit included a large lighted panel with photographs of frogs and a quote from a Paul Simon song that, coincidentally, I’d been singing along to in the car just the day before:
“There is a frog in South America
Whose venom is the cure
For all of the suffering
That mankind must endure.”
He was talking about the dart-poison frog, of course. The song, “Señorita With a Necklace of Tears,” is on the album “You’re the One.”
I’ve been having a good time playing with an iPhone photograph I took of tables and chairs at a Steak ‘n Shake in Goodland, Kansas. (I certainly took a lot more iPhone pix on my trip than I remembered having done.) Above is the version I like best. It’s highly cropped, with a watercolor filter applied, vibrance ramped up, blue ramped up. My favorites among the photographs I take tend to be those that look most like abstract paintings or that are clearly influenced by abstract painting. Applying a filter can, on rare occasions, turn an image into something more interesting. It also can, on rare occasions, save an image that is not sharp enough to work as a conventional photograph and make it worthwhile.
Here are two crops without the watercolor filter, and below those, the original photograph. I’m interested in feedback, so vote for your favorite if you’re so inclined. As a bonus, here’s a video of Lucinda Williams singing “Am I Too Blue.”

Detail of “Crow Call (Near the River),” Keith Jacobshagen, Nelson-Atkins Museum of Art. The artist is from Wichita, Kansas.

Detail of “Dusasa I,” by El Anatsui, Nelson-Atkins Museum of Art. This work, a showpiece of the addition, is a very large wall hanging, several feet on each side, made of flattened liquor-bottle caps stitched together with copper wire. The artist, who was born in Ghana, now works in Nigeria.
Days 14 & 15: Lawrence to Carbondale.
After an initial delay on Sunday morning, I made it at last to the Nelson-Atkins Museum of Art in Kansas City for my second visit. I spent most of my time in the Bloch Building, the 2007 addition to the museum by architect Stephen Holl. From the street to the east, the addition looks something like a series of connected trailers rising up a hill. But from the inside, it’s phenomenal, with light coming in from windowed towers and interesting angles everywhere. I hate to say this, but I found it far superior to my beloved St. Louis Art Museum’s more recent addition, both architecturally and in the modernist collections that both additions house. I spoke to a museum guard about the photos I was taking of the interior. He pointed out how each gallery opened up a new view via a few steps down into the next, leading the visitor through the building. In fact, he said, a photographer had been there earlier that day on behalf of the architect, who visits periodically.
I’ve included here small, low-res details of four or five of the works at the museum, hoping that constitutes “fair use” for copyright purposes. Most of my time was spent in the modernist collection. I never even made it to the photography galleries (irony!), and though I visited the main sculpture court, which has several Rodins, I was disappointed to have missed the Isamu Noguchi sculpture court. A next visit is in order. I spent my last 45 minutes at the museum trying to track down a still-life of lemons that I recalled vividly from my first trip. (I collect art postcards, and am often vexed that museums so seldom have my particular favorites in their shops.) I asked one guard if he recalled a painting like that. “Let me ask someone else,” he said. “I haven’t been here too long.” I couldn’t tell if he was actually contacting someone on his phone, and I told him Don’t worry, I’ll keep looking. I said I thought it was a European painting, and he said American.
I’d already made a mad dash through the European galleries, so I headed for the American art. No luck. I found another guard and asked her the same question. “Let me ask someone else,” she said. “I haven’t been working here that long.” She said she’d be back in a minute and I sank onto a bench to rest my feet and knees, still sore from the fall at Estes Park. Two minutes later she came around the corner with the first guard in tow. We both started laughing. But the first guard had, in the interim, gotten some information and gave me the exact number of a gallery that featured a painting with lemons.
Well, I’d been in that gallery, and this painting hadn’t stopped me. Memory is a tricky, tricky thing. Either that, or this was in fact a different still-life. It was a fine painting, and I took photos of it, but in my mind a very different painting still exists, with luscious, incredibly realistic lemon slices and…a fish, I think. Hmmm….
At closing time, I headed out of Kansas City for Boonville, where I stayed overnight. The next day, Labor Day, I was home by mid-afternoon, unloading the car and looking forward to getting the doggies out of the kennel on Tuesday. I was very tired, but I’d done my trip. It wasn’t like hiking across Africa or climbing Everest. It wasn’t even Paris. To most people it will seem a very modest achievement. But to me, debilitated after years of depression and anemia, this road trip loomed pretty large as an accomplishment.
I think I’m ready to do it again in a different direction.

This through-the-windshield iPhone shot taken somewhere between Junction City and Lawrence, on the eastern edge of the Flint Hills, is so out of focus that it has an impressionistic quality.
Day 13: Colby to Lawrence.
My destination for today was Lawrence, Kansas. From there it would be a quick drive to Kansas City on Sunday. Knowing I had plenty of time, I took back roads much of the day.
My first stop was at an old favorite: the Kansas Barbed Wire Museum in LaCrosse, Kansas. It was my third visit (I’m not making this up). There was a time years ago, before my late husband and I stumbled upon this place, when I no doubt thought barbed wire was barbed wire was barbed wire. Ha! Not a chance of it, and this little museum, which is always deserted, will set you straight. It has hundreds upon hundreds of variations of barbed wire, plus the tools needed to string and tighten it, plus all sorts of auxiliary items. The director estimates that about 500 patents exist for different types of barbed wire. But each patent can cover hundreds of variations; the total is mind-boggling. One Glidden barbed wire patent covers some 2,400 variations, for example. Among my favorite exhibits at the museum are two barbed-wire tornadoes and a huge crow’s nest made of scraps of barbed wire.
Before leaving, I asked the director where I might get a sandwich to eat. He suggested the Dairy Queen in Hoisington, about 15 miles to the east. It was an inspired choice, because if I hadn’t stopped at the DQ and idly picked up a brochure on the counter, I’d never have known that Hoisington was having a Labor Day festival and that one of the activities was helicopter rides, 40 bucks per passenger.
While I ate my cheeseburger I mulled that over. I’d never flown in a helicopter before, or even been inside one. The prospect was scary, yet enticing. When would I get such a chance again? I could at least look. So when I was done at the DQ, I backtracked, drove through (or rather, around) Hoisington’s downtown, and found the helicopter site. The copter looked awfully small. The pilots said they couldn’t afford to take up just one passenger. Okay, I said, I’ll wait a couple of minutes and see if someone else shows up.
Meanwhile I asked a bunch of stalling questions: Do I weigh too much to go? (Not even close; they could take a 300-pound passenger!) Wasn’t it too windy to fly? (No, helicopters love the wind!) I had fallen a couple of days ago and my left leg was hurting; would I be able to pull myself into the helicopter? (They’d help me!) I sat in my car, still ambivalent. Then a black SUV pulled up: father, mother, son, daughter. The son was first out, and it soon became clear that he and his dad were going up. The pilots waved me over, and I found myself plunking down two 20-dollar bills. I and the boy, who looked to be about 10, would be seated in the back, where there were windows. The pilot (a woman! yes!) and the dad would take the front seats, where there were no doors. “I’m scared,” the boy said matter-of-factly, without any visible sign of anxiety. “I guarantee you I’m more scared than you are,” I told him unwisely. “It’s bumpy,” he said (we hadn’t left the ground, but it did feel bumpy with the engines on). “Should we hold hands?” I said. “I’m going to hold on here,” he said, grabbing the bar between the back of the front seats. I did the same. And then we were up and off!
We were all wearing headsets so that we could hear the pilot and each other. “This is awesome!” the kid yelled as we began to fly over Hoisington. I was with him one hundred percent. I believe I might even have added “Woo!!” I was taking pictures like crazy, and the kid and I kept announcing how fun it was. It was wonderful fun. It was even fun when the helicopter banked significantly, though I was grateful I had a window next to me and not an open door. The ride, which lasted only four minutes or so, was far too short. I wanted to keep flying. Heck, I was ready to take lessons. But Lawrence awaited. I waved goodbye to the family, who were in fact from Hoisington, and headed down the road to Lindsborg.
This Scandinavian town was new to me. I got there at 5 p.m., so most places were closed except for an exceptional fair-trade shop called Connected. But Lindsborg hosts a sidewalk herd of painted dala horses. Wikipedia: “A Dalecarlian horse or Dala horse is a traditional carved, painted wooden horse statuette originating in the Swedish province of Dalarna. In the old days the Dala horse was mostly used as a toy for children; in modern times it has become a symbol of Dalarna, as well as Sweden in general. Several different types of Dala horses are made, with distinguishing features common to the locality of the site where they are produced.” In Lindsborg, the paintings on the horses may reflect the business where a given horse is located, or the interests of the sponsors or artist. One thing I noted is that the dala horses, which are chunky creatures, have no tails. I enjoyed photographing details of the paintings.
And then, as I was leaving the vicinity of Lindsborg, serendipity struck. I finally found what I’d been looking for all over Kansas and eastern Colorado: sunflowers! A whole big field of sunflowers with their heads still up (though, oddly, not facing the sun but facing east). I did what I could with my Pentax and my not-so-long lens, trying to get the best photo I could for me and my sunflower-loving friend Dinah.
At Salina I rejoined I-70. The rest of the drive to Lawrence was tedious, but it seemed to me that, all in all, I’d had the best possible day on the Plains.
Day 12: Estes Park to Colby.
Yesterday evening was the sort of evening that reminded me of the disadvantages of solo travel, and today was the sort of day that made me grateful I was traveling alone.
After splurging on a cabin (technically, I had one-third of the cabin) on Fall River just west of Estes Park, I went into town, had a bite to eat, and then tripped on a step I didn’t see. Down I went on the concrete on my palms and knees. The only thing I remember thinking, other than “I can’t stop myself,” was “How will I get home?” I was close enough to the café to call for help; two of the wait-staff brought me ice and got me to my feet. I found out that I could drive if I was careful. I got back to the cabin just in time to catch the manager, who was on her way out, and she kindly brought me more ice and towels. I spent the rest of the evening feeling thankful that I hadn’t broken any bones or hit my head, and that it seemed I’d be able to drive a longer distance than the three miles from the middle of Estes Park to the motel.
The next morning I headed, somewhat gingerly, for Rocky Mountain National Park. I intended to spend only an hour or so. I wanted to visit the place where my sister and I had scattered our parents’ ashes 12 years ago, but I wanted to leave early and drive as far home as I could, because my calculations had shown me that, once again, I was due to reach Kansas City on a Monday or Tuesday, precluding a return visit to the Nelson-Atkins Art Museum for the sixth consecutive time. So I determined to drive two long days and get to K.C. on Sunday.
In the park, however, I took a wrong turn and found myself heading up into the mountains on Trail Ridge Road. That’s okay, I thought, I’ll just go as far as Rainbow Curve (the second major overlook from the east), see how I handle the altitude, and turn around.
I handled it fine. It felt so good, in fact, and the weather was so cool and delightful, that I made an abrupt change of plan: I’d drive all the way across the park, come down to I-70 on the west side, stay the night somewhere, do things in Denver for a day or two, and stretch out my arrival in K.C. to Wednesday.
By this point in the trip I felt that my 10-year-old Prius and I were practically fused, a virtual woman/machine hybrid. We were at one with each other, it seemed. Until Rainbow Curve. Shortly after I pulled out of the overlook, the car began laboring badly. I nursed it along, hoping it would shake off whatever the problem was. No such luck. At Forest Canyon overlook, 11,700 feet above sea level, I decided to turn around, get the Prius back down to Estes Park, and see if I needed to find a mechanic.
In town I got lunch at a place I’d noticed called “You Need Pie!” Yes, I did: that was truth in advertising. The car had no pie but seemed to be doing better nonetheless, so I headed toward Denver, a route that descends from about 7,500 feet to about 5.000. And soon the car was running normally again. I reverted to my original travel plan: drive like hell toward Kansas City. The car and I ended up in Colby, Kansas, together, reconciled, and back in our own time zone.
Days 7-11: Boulder, Loveland, Fort Collins.
After my day recuperating in Fort Morgan, I headed toward Fort Collins but found that I would get there by mid-morning on a Sunday. So I detoured down to Boulder first, where I spent far too much time and money at the Pearl Street mall. It was a recapitulation of sorts: I went to exactly the same shops as when David and I were there, and I got a veggie panini at the same place we’d eaten. I was disappointed to see that the contortionist who folded himself into various containers, such as a little, clear plastic box, was no longer among the street performers. I wanted to donate to all of the performers, but my cash is dwindling alarmingly fast. I didn’t stay to watch the torch-juggler act, and I didn’t tip the guitarists or the accordion player, and I arrived too late to see a very popular act involving a performer balancing atop a tower of chairs, and I walked past an older gentleman in cowboy garb painted to look like a copper statue, and I skirted the guy in an African-type mask who was playing the bongo drums, and I felt terrible that I wasn’t leaving money for any of them, but there were just so many.
Eventually I sat down near one of the street performers to drink a lemonade and rest my aching feet. This particular guy—I believe it was a guy, though his act was mute—was impersonating a sort of ragdoll dog. His costume was made of tiers of short, pastel-colored pieces of fabric, so he could shake like a puli. He sat like a dog and looked hopefully at passersby. He’d try to attract children by getting up on all fours, or rolling on the ground. A couple of women with a little boy were taking pictures of him, but not leaving any money. That isn’t nice, I thought. I approached the performer and, looking over at the little boy, said, “I think this dog wants a belly rub, don’t you?” The “dog” promptly rolled onto his back. I reached down and rubbed his belly and he made some appreciative doggie-like grunts. “And maybe some scratching around this ear,” I said, still looking at the little group. I scratched one of his “ears” and he pumped one of his legs the way dogs often do when you’ve hit the right spot and they’re just loving it. “See?” I said. “I made him kick his leg.”
I dropped a couple of bucks into the performer’s bowl and then realized that a number of people had stopped to watch this joint act. In one last attempt to get this endearing performer some tips, I put out my hand, and said, “Shake?” He lifted an enormous foot so I could touch the bottom of it. It was more like a fist bump. Still no action from anyone in the crowd. It was a hot day and the street performer must have been terribly uncomfortable underneath his shaggy costume. I felt like whispering to him, “Well, I tried,” but I wasn’t sure if he could hear a whisper inside the doggie head he was wearing, so I just walked away. Ineffectual! Alas.
On the plus side, I was thrilled to see that the problems I’d had with the altitude in 2012 were gone. Three years ago, I’d walk a few feet, then have to rest. Walk a few more feet, then have to rest. Sit down repeatedly. Lean on David’s arm. This time around, I could walk without resting. The iron infusions clearly get credited for this improvement. I sat down only because my feet and legs began to ache almost unbearably. I haven’t built up my endurance very much yet, and they’re not used to this much walking. Added to that stress was driving much of the day without cruise control (I was on a variety of roads, from city streets to the interstate, and the traffic was very heavy everywhere).
In Fort Collins, I was forced to take yet another rest day on Monday. This time I didn’t even leave the motel. I am frightened of my debilitation and I am ashamed of being frightened. I know why I’m here and at the same time I feel I’ve lost sight of why I’m here. I’m reading a book where a man is being “reprocessed,” via amnesia-inducing injections, over and over; we don’t yet know why. Now he has been reprocessed to the point where he has no ambition or autonomy beyond his basic daily functioning, and he will be left to live the rest of his life in the “reprocessing village” (one of many) because he is considered cured. I.e., he no longer poses a threat. To what or whom, we don’t yet know. (To himself, it turns out; the book is called “A Cure for Suicide,” and the cure involves losing all the complexities and nuances and worries of life. I can divulge this because no one ever reads books that I recommend.)
Probably I should not be reading this book right now. It is beginning to affect me strongly. I think that I am like this man, not living a meaningful life. I worry that I’m breaking down, and that would constitute a great failure in my eyes. My sister suggested something I’d already thought of, that I could fly back home and that there are people who will drive your car back for you. But how do you know whom to trust? I would start driving back tonight; since I’ve slept all day I’m confident I could drive all night if it weren’t for the fact that my legs are swollen and hurt very much.
———–
After this, I didn’t do any more writing during the trip, so I’ll sum things up briefly. On Tuesday I felt well enough to continue. I toured three independent-living facilities for my sister, two in Loveland and one in Fort Collins. Then, during a phone conversation with her that evening, I discovered that she didn’t want to live in the Fort Collins/Loveland area, she only wanted to live in Denver, and not in an independent-living facility. This would have been nice to know before I left Carbondale. I was completely open with her about my ideas and my agenda, so I was simultaneously vexed and confused. The trip now seems to have been misguided and misfocused. I considered heading to Denver for the next three days, then realized that Denver would involve a lot of upfront Internet research in order to focus a search. In addition, everyone I’ve talked to has told me that Denver is much more expensive than Fort Collins. Finally, I realized that my energy and navigational savvy simply didn’t extend to a big metro area like Denver on this particular road trip. So I decided to treat the rest of the journey as a vacation.
On Wednesday I met up with my friend David M., dedicated Marlovian and self-described “world’s oldest white rapper.” We stopped by Colorado State University’s trial gardens, where new varieties of garden flowers are being tested, on the way to the big Campbell’s soup can replica that CSU art students constructed to Andy Warhol’s specs and that he signed on a trip to Fort Collins. Dave kept mentioning some black-and-white photos in a gallery that he wanted me to see. Turns out that the gallery was the Center for Fine Art Photography, one of the very places I’d hoped to visit in Fort Collins. Although we arrived just at closing time, one of the curators kindly gave us a personal tour. Then it was on to an Italian restaurant and a quick drive west of the city and up a steep, winding ridge to Horsetooth Reservoir in an attempt to catch the sunset. We were a little late, but the view was beautiful nonetheless.
The arts scene seems to be thriving in Fort Collins and also in Loveland, just to the south. Public sculpture abounds in both cities. Both have taken to painting those big electrical boxes you see all over the place in fanciful, colorful designs, turning them from eyesores into attractions. Fort Collins also paints old pianos with whimsical scenes and leaves them in public places—even alleyways–for anyone to play. In one of the photos above, Dave is trying to talk me into playing the piano so he can get a video of it. So great is my performance anxiety that when I finally sat down, I began “House of the Rising Sun” in the wrong key and never did get straightened out. (Dave, I hope you’ve deleted that video.)
On Thursday I broke my new “vacation-only” rule in order to tour one more facility in Fort Collins, in the interest of doing a reasonably thorough job of what I’d come more than a thousand miles to do, and then toured an apartment complex just across the street. Afterwards, I headed for Estes Park, where I’ll pick this up in the next installment. The writing will get shorter from now on; I promise. We’re on the home stretch.